![]() It’s reasonable because the package includes that lovely Summilux lens. If you are tempted to take the plunge, Chris, I would recommend the Leica Q as the best all-rounder at a “reasonable” price. Read more on micro four-thirds Stefan Daniel and the end of the Leica CL What do you think? Is APS-C really in decline, or will manufacturers continue to develop the format? And what is the future for micro four-thirds? Could heavier micro four-thirds bodies and lighter full-frame bodies squeeze APS-C out of existence? Leica’s decision to pull out of APS-C last year offers support to Mr Yamaki’s belief that this format is in decline, with more photographers choosing to replace their crop-format sensors for the rapidly developing full-frame mirrorless designs. There are rumours that hybrid autofocus, recently introduced on the new Lumix S5 II, will soon be adopted for some Lumix micro four-thirds bodies. Nevertheless, there is still demand for the format, particularly in the video sector, where Panasonic Lumix has created a strong reputation. Panasonic’s GH6, shown here, is the company’s flagship offering, although in weight and size, it is almost identical to the company’s full-frame S5 Bundled with a zoom lens, the DMC-G1 is debuting at a hefty $800, although some stores are now selling the camera and lens for a much more competitive $670.Despite rumours of a decline in the micro four-thirds market, both OM-Systems and Lumix continue to develop the format and report strong demand. The Panasonic Lumix DMC-G1 is quite a bit lighter than most traditional SLRs and slightly smaller as well. So far, one Micro Four Thirds camera has come on the market. The system also has a slightly different lens design, which means Micro Four Thirds cameras can accept older Four Thirds lenses by using an adapter (although the newer format's lenses will not work on older cameras). The Micro Four Thirds system replaces the bulky mirror-and-prism mechanism that makes up an SLR's viewfinder with an electronic one, allowing for even smaller and lighter designs. Now, the technology has gone a step further with Micro Four Thirds, which was announced last August. The inventors of the system wanted to create a smaller, lighter camera that would be easier for casual photographers to handle, and the Four Thirds System's smaller image sensor allows them to achieve that smaller design. However, more importantly, the Four Thirds System uses an image sensor that is smaller than the APS-C-sized sensors commonly used in consumer digital SLRs and that's significantly smaller than a full-size 35mm sensor. The Panasonic Lumix DMC-G1 is quite a bit lighter than most traditional SLRs. Nothing about the Four Thirds image sensor actually measures 1 and 1/3 inches, but the idea that two 2/3-inch sensors put together equals a 4/3 sensor fits nicely with the 4:3 aspect ratio. The Four Thirds systems use an image sensor that is twice the size of a standard 2/3-inch TV camera sensor. ![]() High-end broadcast TV cameras use an image sensor with a diagonal measurement of 2/3 of an inch. Four Thirds casts off the 3:2 aspect ratio still used by consumer-level digital SLRs in favor of a more enlargement-friendly 4:3 ratio. ![]() The Four Thirds system (and the later Micro Four Thirds system) takes its name from two ideas: the size of a camera's image sensor and its aspect ratio. The system is an open standard, which means any Four Thirds camera can accommodate any Four Thirds lens, no matter the manufacturer. Currently, Olympus, Leica and Panasonic all have models available, while the lenses are made by Olympus, Leica and Sigma. The Four Thirds system was created by Kodak and Olympus in 2002 the first Four Thirds cameras hit the market in 2003. Four Thirds - better and smaller consumer cameras Micro Four Thirds and the older Four Thirds systems are very interesting concepts, not simply because of what they promise but because the basic philosophy behind the systems runs so counter to traditional thinking about cameras. When Panasonic and Olympus announced the new Micro Four Thirds camera system last August, their promise of smaller and lighter digital SLRs had me wondering if I would finally have a camera with the compact lightweight body of that old Leica in a digital format. That camera, along with many other 35mm and medium-format film cameras, is now gathering dust in a drawer, pushed aside for a larger and heavier digital SLR. It was lightweight, compact enough to fit into a pants pocket, and took great pictures. My uncle gave me my first real camera, an old 35mm Leica with a collapsible lens.
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